LAURA RASCAROLI THE PERSONAL CAMERA SUBJECTIVE CINEMA AND THE ESSAY FILM

These 3 locations in Queensland: Dreams and Diaries , and Crossing New Europe: The essay film, together with its cognate forms–the diary, the travelogue, the notebook and the self-portrait–is cinema in the first person. Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Subjective Cinema and the Essay Film. Create lists, bibliographies and reviews:

Set language NL EN. Set up My libraries How do I set up “My libraries”? The datasets are also available as weekly exports. Motion pictures — History. Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression.

The Personal Camera – The Subjective Cinema and the Essay Film

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The Personal Camera: Subjective Cinema and the Essay Film – Laura Rascaroli – Google Books

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Point of view Literature Documentary-style films. Harun Farocki, found footage and the essayist as spectator — The musealisation of experience: By using our cinemaa you agree to our use of cookies.

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laura rascaroli the personal camera subjective cinema and the essay film

Harun Farocki, found footage and the essayist as spectator — The musealisation of experience: Showing of 1 reviews. The datasets are also available as weekly exports.

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laura rascaroli the personal camera subjective cinema and the essay film

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laura rascaroli the personal camera subjective cinema and the essay film

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The personal camera : subjective cinema and the essay film

Authorial, experimental and radical, essayistic cinema belongs within the lineage of avant-garde and political filmmaking and responds above all to the need we feel today for more contingent, autobiographical, private forms of expression.

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