DISSERTATION AMPHITRYON MOLIÈRE

In Plautus, it is the meeting between Sosia and Mercury disguised as Sosia that occupies the opening position: Upon the whole matter, my final resolution is, to take the good and the bad as they come together 4. Please select Ok if you would like to proceed with this request anyway. You may send this item to up to five recipients. Your request to send this item has been completed. More interesting is the use Dryden makes of an exchange between Mercury and Sosia in Plautus: Your list has reached the maximum number of items.

Above all, he takes into consideration the Shakespearean model, with a wealth of allusions to Othello and Romeo and Juliet, which offer him a solid basis for innovation. Both Jupiter and Mercury almost arrive at the point of re- vealing their real personalities. Liguori, Giraudoux, Jean, Amphitryon 38 Paris: Oh dear, I object, naturally. Oh well, naturally that is immaterial. In the monologue of the servant preceding the second meeting between Sosia and Mercury, the decision to try to enter the house and face up to his adversary is based on a closely reasoned argument, in which Sosia solves the contradiction between being beaten if he goes in and remaining hungry if he stays out:

This rational approach becomes even more pathetic when Sosia faces the violence of his master. Home About Help Search.

Molière’s Amphitryon, sources and technique; a critical summary (Book, ) []

Thus, the same signifier is subjected to a further ironic twist, because it is forced by the ambiguity of language to unify paradoxically the two contrasting psychic attitudes of Sosia. The Amphitruo xissertation the Metamorphoses. Your request to send this item has been completed. The E-mail Address es field is required.

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dissertation amphitryon molière

In the monologue of the servant preceding the second meeting between Sosia and Mercury, the decision to try to enter the house and face up to his adversary is based on a closely reasoned argument, in which Sosia solves the contradiction between being beaten if he goes in and remaining hungry if he stays out: Alcmena is convinced that her ardent passion will guide her to recognize her husband, and she actually draws close to the real Amphitryon;17 but immediately dissedtation, she changes her mind, seeing that her husband despisingly rejects her, whereas Jupiter as Amphitryon attracts her by presenting himself as the defender of her honour.

If Jupiter is in love with Alcmena, Mercury too is vulnerable to love: Help Center Find new research papers in: Privacy Policy Terms and Conditions.

dissertation amphitryon molière

Scott, 18 vols Edinburgh: Oh dear, I object, naturally. Construction of the play The action of the play follows the classical model of the deception successfully carried out on Amphitryon and his servant Sosia by Jupiter, disguised as Amphitryon, and Mercury, disguised as Sosia.

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dissertation amphitryon molière

Time, Plot, and Characterization in Plautus’s Amphitruo. The same attitude is later repeated, during the reconciliation with the false Amphitryon, who reminds her of the eternal love that he has sworn to her: Above all, he takes into consideration the Shakespearean model, with a wealth of allusions to Othello and Romeo and Juliet, which offer him a solid basis for innovation.

Edizioni Plus,pp. Thou dost clearly come with thy feet, not thy tunic. But put the worst: In Plautus, it is the meeting between Sosia and Mercury disguised as Sosia that occupies the opening position: The final scene In the final scene, Jupiter reveals his identity, and re-establishes harmony between husband and wife, admitting his own defeat in love.

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(PDF) Re-writing a Myth: Dryden’s Amphitryon and its Sources | Elena Rossi Linguanti –

Amid the folds of the continual dissertatipn to the sources, we find elements of renewal of the tradition, which foreshadow the modern inter- pretations of the myth. In the same way Mercury, who is compelled by Jupiter to assume the appearance of Sosia, finds himself in an even more ambiguous tension, and repeatedly complains about his degradation.

Both Jupiter and Mercury almost arrive at the point of re- vealing their real personalities. No agreement is thus possible with abuse of power, either of the divine or moière human variety, but to the end the servant backs up his resistance with the aid of a constantly inadequate recourse to reason.

Molière’s Amphitryon, sources and technique; a critical summary …

Cancel Forgot your password? Flammarion, Nixon, Paul, ed. Advanced Search Find a Library. Even though the temporary impasse of Jupiter and the humiliation and degradation of Mercury are reabsorbed in the rest of the play, it is clear that the gods do aphitryon entirely control relationships: The gods This is a strong element of renewal: Similar Items Related Subjects: